Acrylic on birch with [supplied] horseshoe and miniature figures: a wry reference to the Tilted Arc at Javits Plaza. Created for a themed silent auction to benefit the Mattress Factory, 2014.
Installation: Lyrics from "All Tomorrow's Parties" are written on paper tongues. Lyrics to "Where Have All the Flowers Gone" are painted on broken ROTC practice rifles, 2014. (photo by Tom Little)
Installation: Lyrics from "All Tomorrow's Parties" are written on paper tongues. Lyrics to "Where Have All the Flowers Gone" are painted on broken ROTC practice rifles, 2014. (photo by Tom Little)
Installation: Lyrics from "All Tomorrow's Parties" are written on paper tongues. Lyrics to "Where Have All the Flowers Gone" are painted on broken ROTC practice rifles, 2014. (photo by Tom Little)
subRosa's project for “The Way That We Rhyme: Women, Art and Politics.” Participants were invited to write shout-outs to inspirational figures, and decorate paper “Cones of Respect” that were then pinned on a ‘pier post,’ or communication…
subRosa's project for "The Way That We Rhyme." A poetic, performative installation, commissioned for an intergenerational feminist exhibition. Performers rode on two ‘rafts’ made from discarded tires, painted canvas, and reclaimed billboard mate…
The audience could investigate the connections between the large aerial maps, objects beneath the floor, and an interpretive text distributed in the space. Another wall displayed five posters by Mexican artist/designer teams expressing concern and ou…
Created specifically for "The Interventionists: Art in the Social Sphere," subRosa mapped the intersections of women’s material and affective labor in North Adams, MA, and Ciudad Juárez, Mexico after discovering that the museum itself was a former…